as one third of the founding trio of revered cologne imprint magazine, jens-uwe beyer has become an obvious choice for any adept of open-minded electronic music, both through releases such as the one-track-one-hour manifesto red book (magazine 008), several contributions to our pop ambient compilation series or inspired remixes for barnt, dream weapons and others. besides this being the same mastermind as the one behind the ongoing popnoname brand, you wouldn t expect upcoming the emissary to actually be a debut, but it is, for it s the very first time that we re treated to a full-length offering under the artists real name.

the release is the firstborn of a promising lable based in london: pls. uk. to briefly introduce it there are 3 key-words: dark noise, experimentalism, unknown. that is our music and even more, our life. we are finally delighted to announce our first issue with a so talented artist such as ansome along with ossian and ayarcana. now just silence and enjoy music. we do!

i got to know gavin russoms music thanks to the amazing the days of mars album he recorded together with delia gonzalez now ten years ago on dfa records. flash forward to last year, when we released michele mininnis trippy endless ceremony. gavin russom loved that one and sent over a demo shortly after - youre listening to it now. i am really proud to be able to release an ep from such an extraordinary artist, enjoy! 1st pressing on splattered 12! (transparent vinyl with pink, light blue & black splatters)

archie pelago is a trio from brooklyn. greg plays cello, zack plays saxophone, and dan plays trumpet and works the knobs. the archie guys did one of the very first releases on mister saturday night records, and we’re very happy to have them back – especially with such brilliant tunes. the a side, clammy customer, takes dozens of twists and turns, weaving in vocals by the always excellent gabriel garzon-montano, and the b side, madame suede nightshade, was apparently made with us in mind (check the initials). both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.

copehagen s music for dreams are very proud to present new swedish signing 55 cancri e (aka sara hausenkamp). born in 1989 in malmö, this talented musician/artist started out learning classical guitar as a child before playing keyboard in different bands in her teenage years/early 20s. in 2013 she moved to berlin and began playing keyboard/guitar/singing in electro duo ‘naftik’. as well as music, she also expresses herself through illustrations, collages, photos, writing, painting, fanzine-making etc. and studied at the school of comic art in malmö.‘55 cancri e’ is hausenkamp s solo project started in the summer of 2014, an amazing six track mini album of perfect night music from outer space, tunes covered in diamonds - a melting pot of sensitive guitars, crying synthesizers, barking flutes, mellow wine glasses, combined with gorgeous organ/melodica and haunting voices. the end result is a beautiful, melancholic and stunning debut drawing comparisons to artists such as this mortal coil and cocteau twins... limited vinyl with stunning original sleeve by the artist - definitely worth investigating.

the exotic * sombra india* gets to works with slick guitar licks and a driving beat, enhanced with powerful and captivating vocals from eduardo castillo. already a firm favourite of damain lazarus and luciano, this has been getting a huge response on dance floors this summer. on the flip and the cut-up afro-house * sanura* is highly exotic driving monster of a tune, no messing around, straight to the dance floor!
german native sis shot into the limelight in 2008 with releases on cecille and ricardo villalobos label * sei es drum*, which up until that point had only showcased ricardos own productions. no stranger to the crosstown rebels catalogue, he delivered the first ever rebellion release and then later the * round pen ep* on crosstown rebels in the summer of 2012 and the more recent * slider* on rebellion. other productions have appeared on esteemed labels such as cocoon, 8bit, connaisseur, get physical, with a more recent album on cocolino.

for it’s 16th (!!!) release, dixon avenue basement jams continues to bolster it’s local infantry with fresh, new blood, this time with the addition of a young but well-seasoned individual hailing from the hinterland of greater glasgow and going by the name of big miz. if you happen to live within an 8 mile radius of a blue lagoon, the chances are you will have already been acquainted with the bold miz, most likely through the longstanding and legendary clubnight/crew he’s a resident & founding member of: offbeat. the length & breadth of offbeat’s tastes also reflects his flexibility as a producer. tracks presented here, such as “good thing” strike a fine balance between good ol’ motor city funk and chi-town oddities such as vincent floyd’s more obscure cuts on d.m, while the velocity increasing “solange” comes like the result of a three-day theo studio session fuelled by bad speed. his talent for catering to the dance has clearly paid dividends when it comes to his productions, with the nuance and instinctive touch he presents us with on his debut dabj 12” clearly marking him from the start line as an already formidable & stand-out force in the heady and increasingly cramped world of house & techno.

repress 2015... presented are 4 previously unreleased cuts from the vault of ben cozmo d cenac, producer of newcleus, dream 2 science, push/pull & sha-lor. written in the late 80s / early 90s, these tracks have been sitting on dat tapes for over 20 years. the tracks themselves feature bens wife yvette cenac a/k/a vai cee from dream 2 science and lady e of newcleus, gregg fore a/k/a buster fhott from dream 2 science and push/pull, the cellar boyz a/k/a the original jam-on djs and finally shareen evans. a career musician, bens instrumentation and programming is timeless, its a sound that cannot be replicated. we are humbled to be working on a project such as this. dont sleep, its a rare 12 inch vinyl weapon!

after the immensely well received start with blip001, soon enough dj’s and fans alike were banging down the abstract door of blip discs to see what else this new label could have in the pipeline. blip002 comes from label head honcho tom blip in the form of wrong guanco/shekere. these tracks are afro, unpredictable, dj orientated cuts - road tested by dj’s such as bradley zero & werkha, they’ve already been causing serious movements on dance floors up and down the country. due for release soon, blip002 offers another new, exiting artist to it’s roster accompanied by another limited 12” debut.

initial release for the relaunch of mff (music for freaks). the label was previously responsible for releases such as turning orange, washing machine, where were you when the lights went out, the creeps and worked with artists recloose / kenny hawkes / doc l junior / mark farina to name a few. for lets do it again… ricardo villalobos delivers in an innovative reworking. sent a variety of parts from tracks released on freaks - the man who lived underground album, ricardo took his inspiration from all of them and mixes them into a distinctively villalobos track - it was originally 14 minutes long

ltd cocoon box , incl 6 x 12 inch + full c d album
it is almost hard to believe and we are looking for that wormwhole that brought us here as we are already looking at the arrival of compilation number * o *. and we rather do not start thinking about the endless wordplays we could do with the * story of o*, however we have to admit that this special * o-edition* comes with an extra portion of deepness, soul and yes, even sex

limited 2015 repress !!! feedback and support from: and.id, anja schneider, audiofly, burnski, butch, carlo lio, catz n dogz, danny tenaglia, deetron, djuma soundsystem, edu imbernon, ekkohaus, fred everything, gregor tresher, h.o.s.h, hermanez, homework, hugo, huxley, inland knights, iron curtis, j phlip, james zabiela, jimpster, joris voorn, julien chaptal, kaiserdisco, karotte, kiki, kruse & nuernberg, laura jones, laurent garnier, lazaro casanova, lee curtiss, luca bacchetti, luna city express, m.a.n.d.y, martin landsky, moodymanc, nic fanciulli, noir, ramon tapia, reboot, riva starr, rodriguez jr, ryan crosson, seth troxler, shur-i-kan, slam, solomun, stacey pullen, steve lawler, thomas schumacher, tiger stripes, tim green, wehbba, will saul, xpress-2 & more!

the drumcode a-sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly a-side material in their own right. each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

vinyl only. limited to 300! ive known roisin a long time now and it was such a pleasure to find out she was releasing new music. i asked and got the stems for the 2nd single exploitation sent to my bongomachine studios in berlin. the results are here on radio bongo for a limited vinyl release only!

it was in the disco era of the mid-1970s that hot chocolate became a big success. a combination of high production standards, the growing confidence of the main songwriting team of tony wilson and erroll brown, and tight harmonies enabled them to secure big hits such as *you sexy thing* and *every 1s a winner*. pressing on audiophile 180 gram vinyl.

fernando gallego is not a music band which we can define as common, on the contrary. this group from uburriana, successor of funeraria vergara, started its history back in the early 1984, (after juan luis montoliu left), and it ended in 1986 with the emergence of the project *decúbito supino*. their usage of some synthesizers, amongst other gadgets, keyboards and large petrol cans, was the distinctive feature as regards to their predecessor band, such an echo defined a much more industrial and electronic sound, closer to early ebm.
limited edition of 300 copies. comes with din a3-sized poster printed double sided.

carsten nicolais practice investigates the boundaries between visual and audio art forms within an integrated artistic approach. influenced by scientific reference systems, nicolai often engages mathematical patterns such as grids and codes, as well as error, randomisation and self-organising structures.

cologne based acid maverick andreas gehm dons his elec pt1 guise for his debut 12inch on bristols happy skull. following a string of releases for acclaimed labels such as jamal mosss mathematics recordings, creme jak, chiwax, bunker and solar one, gehm is fast emerging as one of the most prolific and distinctive producers bubbling up from the european underground

spencer parker & rekids are back together at last, with the work them records boss returning to the label with his first ep of original material since 2011’s ‘i think i love you’. ‘no more silly club songs vol.1’ finds parker at his playful best, melding together all the elements that give his dj sets such boundless energy. all four tracks are made purely for where spencer parker does his best work: the dancefloor. * this ep is simply a collection of tracks i made around 18 months ago for my own sets. no concept, no bullshit, just some tracks to work the club.* - spencer parker

bosh! matrixxman, who has appeared on labels such as dekmantel and unknown to the unknown, comes through utterly correct and most vertical with his debut album for sam valenti s ghostly international stable - by now an institution of electronic dance music worldwide.

180g vinyl only. >pourquoi pas< is the french for >why not<. why not such a title. why should we not break the boundaries of established genres of electronic music in an orgasm of modern psychedelic experimentations and grooves, and come back to the roots of our sexy house music all in one single record. why shouldn t we have the mole on the remix duty. why wouldn t this record be dedicated to our brothers refugees, we are one people. pourquoi pas!

north lake is a fairly established name in the leftfield techno scene and each release he puts out leaves his listeners constantly looking forward to much more. the prolific and elusive michigan-based artist has a rich repertoire of previous releases and contributions on exemplary record labels such as permanent vacation, life and death, ellum or phonica.
the four tracks on his seventh ep stand out as masterful, immersive, very intense and at times eerie pieces of lower-bpm dance music. opener *sun gun* and title-track *two headed beast* follow up on the trails of *journey to the center of the sun* or *marlborol noir*, adding further proof of his ability to constantly deliver memorable synth jams. the b-sides *caverns* and *white lodge* allow him to explore his darker side, adding even more melodic intricacy and dramatic moments to his deep, eerie trademark sound.
*two headed beast* is our collectives sixth physical release to date and the first in a longer string scheduled in 2015. *white lodge* will be available exclusively on wax.

front left represents a very special corner in a very special spot on this planet. every week the front left people gather together to celebrate techno music. techno is what brings us together and what makes us family to one another. we rejoice listening to it, produce it, talk about it, share it and mainly dance to it. it is incredible how one physical spot creates so such magic and human connection. this label brings the productions of the front left people to the world. in the first release, you will find elad magdasi, a heavy dancer and an emotional producer. his productions are wide-ranged and loaded with a true rave spirit, combining an acid-line treatment and his melodic point of view. in the last two years elad s productions turned to the techno side, and now he feels it s time to finally let his music out. gathering knowledge and figuring out his style brought him to this point. his love for raving is what keeps his mojo going and brings the inspiration to his life. joining the first release is matrixxman (charlie duff), the talented producer who s been shaking dance floor with his hit -protocol- for already 2 years and now releasing his debut album on ghostly. not surprisingly, the connection between elad and matrixxman was also formed on the front left. the first release combines a slick collection of sounds.

the brilliant initial outing from kerri chandler on large music gets a re-issue and sounds just as fresh and influential as it did in 1995. darker and more minimal than kerri s output at the time on labels such as king street and freetown, this four track ep set the tone and sound of large for most of the late 1990s. all four tracks feature the trademark chandler bassline, jazzed-out trippy chords, and chopped up vocals. this is a timeless classic and a must have for any serious house vinyl connoisseur.

danny moore aka pvre matrix is from a generation of young techno producers out of brooklyn who come at the music without preconcieved notions or boundaries in their approach to production and playing live. he is the epitomy of the slash and burn blitzkrieg attitude of new producers popping up under the jmz everyday. while very interesting to see the scene develop this way, few have executed in such a fashion as pvre matrix has. impeccabily produced without losing its sense of urgency or brutality and clocking in at breakneck speed, pvre matrix is out for blood, and his three track debuts prove as such. while you might not catch danny moore in your local big room anytime soon, he is undeniably a force that is present and will crush you regardless.

the second loveit press comes right in time for the festival season and for dusty basements too. suolcity is a young producer from stuttgart, the spot for house business again. probably he felt it already as intern at rocker 33?, the club such as panorama bar and robert johnson. how else could you explain the b-side rush, you had to feel this dubby, gritty bassline. not hard enough - so maybe rush harder, you can have it all.

on the first side side we got the title track kings & queens, featuring carlo and the unique voice of the singer / songwriter gjaezon. trippy chords combined with whirling hi-hats give that track a special melancholic, dark and warm feeling. perel transformed the second track speakerbox straight into a club banger - jacking grooves and cut up vocals by gjae, thats how we like it. and now sit back and relax while ranko serves you his cocktail of slow-motion funk and dubby grooves in his clarapark remix. on the flip side oliver gehrmann starts with his version of speakerbox: a floating and melodic sunrise hymn, including such a rolling bassline that your feet will do all the work for you. odysea take you back to the golden age of house music, therefor the boys created a soulful remix with majestic strings that give you nothing but goose bumps.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

porn sword tobacco and svn return to kontra-musik for another untouchable release far off the beaten techno track. trying anxiously to get with whatever is fashionable right now has never been kontra-musiks way of doing things, and the same goes for porn sword tobacco and svn. thats why were such a good match

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

with four original tracks from chris carrier, this new ep is based around the original detroit vibe, with a hint of acid. the tracks all take their titles from famous nuclear devices, giving the music a foreboding overtone. rds-1 was the first weapon developed by the russians during the arms race of the early 20th century. the track is deep, driving and morose yet full of life. trinity was the codename of the very first nuclear test in 1945, this track is a shivering acid beast, minimal and absorbing. bwr 3 takes its name from one of the reactors at the doomed fukushima plant, subtle elements of funk flow through this restrained number. lastly comes chicago pile 1, the worlds first ever nuclear reactor, and a track that embodies the ominous possibilities of such an invention.

scratch bandits crew is back on track with a new album and new live. created in 2003 - and touring since then, scratch bandits crews new album goes back to basics through its unique musical signature that is recognized by the musical industry and a faithful public. scratch bandits crew evolutive music follows the hip-hop rules while suggesting a new writing and composing work with various references and technics such as hip hop beats, electro basses, seventies sample or jazz backup.
the double vinyl lp includes a download code.

french kitchen a&r is proud and excited to announce its next release, a various artists ep of the label aimed to celebrate the fifth anniversary of its famous cocobeach party, outdoor crazy events on sundays during summer season in paris since 2010. this time a little bit more house music oriented, the compilation is a fine selection of 8 tracks of friends and actors of cocobeach party since already a long time such as christian burkhardt, sable sheep, chris lattner, … and residents like sucré salé, jay call. a little foretaste of what your sunday afternoon could be at this little french kitchen garden of eden. discover the preview of this compilation and let yourself go with the delights of summer electronic music recipes!

propelling down under techno and house into the worlds clubs with classics such as phreakin, lsd and 6am in the mid-90s, djhmc (cam bianchetti) is rightly hailed as the * godfather of australian techno*.
with the arrival of the reflector label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc, once again its time to prove why he is one of the most talented techno and house producers and djs to ever grace the turntables….the godfather is back!

die cut sleeve, shrink wrapped, stickered. berlins redshape has been releasing records for nearly a decade and in that time has amassed an accomplished discography on labels such as styrax, delsin, leaves, r&s, running back and his own imprint present which have cemented his name the amongst the greats of underground techno. nonplus are proud to release feel like riot and the rift, staying in the vein of his sci fi laden detroit techno style that continues to evolve but stay true to his unmistakable redshape sound.

another classic, out of print large release sees an exclusive repress in 2015. originally released in 1994, this is the 8th vinyl outing from the early catalog of one of house music s most celebrated labels. fans of early large and black ice know what to expect- tough, minimal chicago house grooves laced with tinges of jazz and soul. a terrific addition for collectors and fans of lables such as dance mania, gherkin, emotive and more.

the original version is nothing short of a classic, but its as if the song had never been invited to a louie vega post-midnight global extravaganza. was the song not aware that spellbound dancing and high bpms were the standard for house music? normally, such a blaring disregard for nightlife decorum would relegate a song to the pits of sonic hell, but we’re talking about george clinton here! the original opens up with a g-funk groove that screams westside and lowriders. the listener is then blessed with clinton as he adds his sage, soulful and pimpadelic vocals, complemented by funkadelic singers asking him about the pains of the funk. the semblance of a beat that could drive the dancefloor into the morning hours is there, but in no way has it blossomed into its full glory. enter louie vega.

42 copies only worldwide mint sealed stock imported from salsoul offices nyc original 1994 stock! this 4 lp box set set is a smash hit. one listen to songs such as: its good for the soul, salsoul rainbow, and tangerine and you too will be hooked. there is a great mix of instrumental and vocal tracks. this brings us all back to the good days of whirling strings and wailing woodwinds. you must purchase the compilation your money will be well spent!

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own.

hot on the heels of killer releases by label heads ryan crosson and shaun reeves, the latest visionquest release sees the label turn its head to deadbeat aka scott monteith. the berlin based montrealeler has been putting his own spin on house and techno for some time now, putting his stamp on esteemed labels such as cynosure, echocord and wagon repair. the jacks ep continues his fine tradition of putting out discerning fare, as he conjures up a new ep package that remixes his classic track, mecca drum track (originally released on wagon repair), from 2008. striking in its many intricate and delicate production wares, its a polished effort from the outset

psyth launches with the debut ep from rob shields. with a delicate urgency driven by a pulsating post-punk bassline, shards lavishes layer upon rich layer of sound, evoking the cool grooves of peaking lights and chromatics, while a shimmering vocal sample from rebecca sawyer adds an otherworldly sense of longing that echoes through the soul of the release. silhouetted appears more conventional and dance-floor friendly next to shards, but under the surface is something unique and strangely exotic. a mantra-like melody loop gives a nod to minimalist composer terry riley and his solo organ works, while world instruments such as an african kalimba and tibetan singing bowl only heighten the hypnotic and intoxicating quality even further.

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

motor city. the home of hi-tek soul. or simply, the origin. just a few of the names with which to descibe a city in the heart of america that has the power to captivate ones imagination. in the early 20th century it revolutionized transport, ushered in an age of previously unknown mobility and became the automotive capital of the world. during the 60s it gave us motown, one of the most influential r&b and soul record labels to ever exist. and, before the turn of the millennium, it would bring forth another musical revolution: the one called techno music. to abstract division, the city of detroit and its artists are a major source of inspiration. as such, they decided their newest metropolis ep was to be an hommage, a means of giving back. this special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism detroit is known for. it also features three very special remixes by close friends oscar mulero - under his trolley route alias (which he hasnt released music under since 2010) - function, who ups the darker ante and marcel fengler who infuses it with his trademark berlin funk.

as idle hands reaches its 30th release, it gives us great pleasure to welcome rising talent matt karmill to the fold. to date matt has delivered a strong body of work to labels such as beats in space and yume, as well as dropping the cryptically titled - - - - album on popnoname’s pnn label last year. this three track ep marks his first appearance on the idle hands roster after earning his stripes on the shelves of the shop, and he will be following this record up with an album for us later in the year. the hooky leftfield house constructions on play it continue the thread of adventurous releases idle is championing in 2015, following strategy’s seeds of paradise lp and leif’s broken beat excursions. with a balance struck between experimentation and satisfaction, matt has delivered a record that continues the all important tradition of timeless music that the label always strives for.

the faze action brothers released their fifth studio album entitled body of one last year and to continue the celebration they have recruited some heavy weight talents to give their spin on three tracks from that album. first, the brothers take on the remix duties of magic touch, giving it a dub house reboot that could be the sound track to countless sunsets this summer. next up is a deft dub mix of the same track by maxidiscs cohort and globe trotting dj, dicky trisco. on the flip side we have the balearic powerhouse that is phil mison, remixing echoes of your mind into an electronic, down tempo feast with additional bass, guitar and keyboard played by the man himself. the final mix on this 12inch is provided by emotional response curator and head honcho stuart leath under his chuggy guise, delivering an organic dub mix of faze actions floating world

reprising his long and fruitful association with poker flat, martin landsky - elder statesmen and bona fide legend of berlins club scene - serves up another superb ep that is more than ample testimony to decades of experience in production and behind the decks at virtually every noteworthy club or festival you might care to name.

unknot is the duo consisting of producer/dj sciahri and composer/audiohead emanuele porcinai. unknot01 is the first release on the duos self-titled label. the music is derived from recordings of jam sessions taken on a semi-modular set-up and later contextualized, through arrangement, within a dancefloor-oriented framework.
the core of unknots sound is strictly bound both to sciahris solid techno background and to the mutable character of emanuele’s electroacoustic productions. the dialogue between such distant practices and approaches, brought to an extremely restrained setup, is what defines unknots musical identity.
unknot01 is a stark, angular swarm of sounds, shaped within very structured yet experimental arrangements. each track delivers propulsive, cryptic and poignant melodies disguised in the harsh and outright aggressive rhythmical patterns.

for those who dont know about mg gost, he is an extremely talented producer/musician residing in novi sad, serbia. a member of the well respected hain teny collective, mg gost is always creating that dope ish. *waking walk* is the debut lp from mg gost and features an all-star emcee lineup, such as g-force, tableek, jack jones aka audessey, cadence and many more. the album also features 2 bonus remixes, courtesy of dirty hairy and slone.